research

Now that I've been given a deadline and poetic license, the nerve wrack approaches. What is really being portrayed here? How is writing like algebra in the balancing of human equations and communications?

I've decided that every interaction or, ahem, eavesdropping has been worthwhile.

Not to say that those that I interact with are subjects... yet, at the same time, they are.. personally rather than inpersonally.

I recognized tonite my "alien anthropological assessments." Just because I'm human (or, appear to be) doesn't make it impossible to observe the human experience... the body, the emotions, the urges, the uhhhhhs and so forth.

Uhhhhs, come up frequently, I've found. You think you might just maybe know EXACTLY what you want, then you fall backwards or come to a new conclusion, still involving the free will of another, or, other beings. This is the conflict.

The responsibility.

I'll put for the effort, the gumption, and ultimately, the commited rapport to each of these gestating characters, yet to be born into this world of re-representation.

How do Ukweli and Grant connect? Is there past pain? Why is Jon so sadistical and what is his motivation? Are Jade and Grant meant....

Where do playgrounds and homeless people pay off in the balance of it all? Where is all this to take place and what new character developments will appear?

These questions, my friends... I have complete faith they will be answered.

Watch out, I might be watching you.

(I didn't mean that in a creepy way, more of an honest observation of myself honestly observing others to understand the perplexities and isolations and common denominators of the human struggle, er... I mean, experience??)